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In 1985, cartoonist Alison Bechdel published a two-page comic strip in which a character stated she would only watch a film if it had at least two women who talked to each other about something other than a man. The last film that had met those requirements, the character noted, was Alien — released six years earlier. Forty years later, that joke is a metric used by Swedish cinemas, European film funds, and Hollywood studios.

In 1997, Disney slipped something rare into a summer blockbuster about a demigod. Not strength. Not glory. Just a young man who closed his eyes, pulled a sleeve back up, and gently stepped away. Twenty-seven years later, that detail still matters.

A photographer spotted her on a beach. A cartel killed her brother. Hollywood said her accent was the problem. Sofía Vergara turned every single one of those things into fuel.